Bill Keane likes to have "Little Billy" sub for him every now and then for Family Circus.Thought I'd post something by one of my kids, since I'm in kind of a dry spell anyway. This morning my 8 year old presented me with this drawing of her mother and I. She said that I'm holding a rose in my hand, but that all of her classmates thought it was a pitch-fork. So long as my wife doesn't see me as the Devil.
Showing posts with label not by me. Show all posts
Showing posts with label not by me. Show all posts
Wednesday, February 3, 2010
Thursday, May 7, 2009
A Book Report
My review
rating: 5 of 5 stars
Anyone else interested, check out their website-
http://lastofthefunnies.com
Pretty funny, but bitter-sweet. Part commentary on the demise of print newspapers and thereby cartooning, with shades of the dehumanizing element of technology- much like 1984 or Fahrenheit 451 but with a lighter tough, with wit and humor a bit like Kurt Vonnegut... plus a touching father/son reconciliation sort of story thrown in. Good stuff!
View all my reviews.
Labels:
not by me,
the Last of the Funnies
Friday, March 13, 2009
Am I really that mean?
Tuesday, March 10, 2009
Existentialist Cartoonists
From: http://www.newyorker.com/online/blogs/festival/2008/10/groening-barry.html
The cartoonists Matt Groening (“Futurama,” “The Simpsons,” “Life is Hell”) and Lynda Barry (“Ernie Pook’s Comeek,” What It Is) have been friends since they attended the same college, where, they said Saturday afternoon at the Metropolitan Pavilion, Matt tormented hippies and Lynda modeled nude for four dollars an hour. They also found teachers who inspired their offbeat work. Matt’s seminars on Kierkegaard and Nietzsche led to his “Life is Hell” theme, and Lynda’s art classes led to her belief in a natural biological instinct in humans to create “images,” whether by making a drawing, talking to an imaginary friend, or by merely recognizing the personality and significance of an inanimate object.
The cartoonists Matt Groening (“Futurama,” “The Simpsons,” “Life is Hell”) and Lynda Barry (“Ernie Pook’s Comeek,” What It Is) have been friends since they attended the same college, where, they said Saturday afternoon at the Metropolitan Pavilion, Matt tormented hippies and Lynda modeled nude for four dollars an hour. They also found teachers who inspired their offbeat work. Matt’s seminars on Kierkegaard and Nietzsche led to his “Life is Hell” theme, and Lynda’s art classes led to her belief in a natural biological instinct in humans to create “images,” whether by making a drawing, talking to an imaginary friend, or by merely recognizing the personality and significance of an inanimate object.
Also, they are really funny people. Lynda dispelled the false notion that a person should only make art if he or she can make a living from it in the following way (I’m paraphrasing):
That’s like having a baby and as soon as it’s born you jump on it and say, ‘Take me to the store and buy me dinner and go to work and make me some money!’
The point she was making was that you don’t have a baby in order to make money, you make money so you can take care of a baby—just like you make money so you can have time to make art, which is an enjoyable experience. The point I am making is that she pantomimed having a baby and jumping on its back and galloping to the store.
They also had a great interview with Dilbert creator Scott Adams: http://www.newyorker.com/online/blogs/cartoonlounge/2008/10/scott-adams-dilbert.html
Labels:
existential cartooning,
not by me
Thursday, March 5, 2009
Occupational hazard
Tuesday, September 23, 2008
Jon without Garfield
http://garfieldminusgarfield.net
This site was featured on the New Yorker's Cartoon Lounge (blog) and I just found it to be just about the craziest, existentially profound, DaDa-esque work of art I've ever seen. I've always found Garfield a little simple and commercial, the ultimate pop-culture on the comics page. About as far from Zippy the Pinhead or too Much Coffee Man as you can get. But take the lazy lasagna eating cat out of the picture and Freud and Sartre could both have a field day. You have to see it for yourself.
This site was featured on the New Yorker's Cartoon Lounge (blog) and I just found it to be just about the craziest, existentially profound, DaDa-esque work of art I've ever seen. I've always found Garfield a little simple and commercial, the ultimate pop-culture on the comics page. About as far from Zippy the Pinhead or too Much Coffee Man as you can get. But take the lazy lasagna eating cat out of the picture and Freud and Sartre could both have a field day. You have to see it for yourself.
Garfield Minus Garfield is a site dedicated to removing Garfield from the Garfield comic strips in order to reveal the existential angst of a certain young Mr. Jon Arbuckle. It is a journey deep into the mind of an isolated young everyman as he fights a losing battle against loneliness and depression in a quiet American suburb.
Monday, February 4, 2008
Not by me, just OF me
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